J A C O B  K I R K E G A A R D
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The sound art of Jacob Kirkegaard explores ways to reflect on immediate complex, unnoticed or unapproachable aspects of the human condition or civilisation. His works have treated themes such as radioactivity in Chernobyl and Fukushima, melting ice in the Arctic, border walls in Palestine, and tones - otoacoustic emissions - generated from the actual human ear.
Kirkegaard's most recent projects use the sound of global waste and waste management the sound environments related to the immediate human post mortem.

With his peculiar alchemist approach and extensive research, complex phenomena and current conditions are portrayed through composition, installation, video and photography. Rather than providing answers, his portrayals create spaces for reflexion.

Kirkegaard has presented his works at galleries, museums, biennales and concert spaces throughout the world, including MoMA in New York, LOUISIANA - Museum of Modern Art and ARoS in Denmark, The Menil Collection and at the Rothko Chapel in Houston, The Sydney Biennale in Australia, Aichi Triennale in Nagoya, the Mori Art Museum in Tokyo, Japan.

Jacob Kirkegaard has gallery representation through Fridman Gallery (New York, USA) and Galleri Tom Christoffersen (Copenhagen, DK). His work is represented in the permanent collection of LOUISIANA - Museum of Modern Art in Denmark.

Kirkegaard's sound works have been released on labels such as Important Records (USA), Touch (UK), mAtter (JAP) and Posh Isolation (DK). He is a founding member of the sound art collective freq_out as well as the not-for-profit arts organisation TOPOS. In 2016 Kirkegaard was the sound-artist-in-residency at St. John's College, University of Oxford, U.K.


One of contemporary sound art's most subtle, intriguing figures. More artistically minded than field recordings, more naturally hewn than noise tapes, Kirkegaard amplifies hidden worlds into evocative drifts. Rolling Stone, December 2015

Kirkegaard has countered Duchamp’s dictum, “One can look at seeing, one can’t hear hearing.” Douglas Kahn, Earside Out, 2014

For all the scientific rigour to Kirkegaard's research into the sonic possibilities of various materials, his work reveals an underlying fascination for the mysteries and myths embedded in them. His work channels an access to an inner world. A.H. Neset, The Wire, 2009


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