S P E C U L U M S P E C U L I Commissioned by Deutschlandradio Kultur Composed & broadcast 2009 © 50 min
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Broadcast studios are perhaps the most neutral and discrete of all sites of production. They seem to come to life only when something is being recorded (or emitted). But what happens if one tried to awaken the sounds that can be produced by the studios themselves - by connecting silence to silence, emptiness to emptiness, and letting them activate each other? At Deutschlandradio Kultur in Berlin, Jacob Kirkegaard turned on the microphones and speakers in eight empty broadcasting studios and connected them in such a way as to create a circular chain reaction: Studio 1 broadcasted its own ambient sound into Studio 2. Studio 2 picked up the ambient sound of 1 along with its own ambient sound and broadcasted this into Studio 3. Then Studio 3 broadcasted the ambient sound of 1, 2 and 3 into Studio 4… and so forth, until the mixed ambient sound of all 8 studios were broadcasted back into Studio 1. This process set all studios into a kind of controlled feedback. From a separate room, Kirkegaard could control the amplitude and equalization of the broadcast of each one of the empty studios. |
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