A I O N

Installation. 50-minute composition from field recordings & video footage, looped. Premiered at Museum of Contemporary Art, Roskilde, Denmark
Released on CD, 4 Rooms by Touch, 2006, and on DVD by Fonik Works, 2011

Aion was recorded and filmed in October 2005 in four abandoned spaces inside the exclusion zone around the former nuclear power plant in Chernobyl, Ukraine.
The layered sound recording of each space reveal its resonant frequencies and is accompanied by projections of layered video of the same space







 



A I O N

AION (Ancient Greek αιων = “infinity”, “eternity”, a time span beyond human understanding) is a portrait of four abandoned spaces inside the so-called “Zone of Alienation” in Chernobyl, Ukraine; a dripping swimming pool, a ruined concert hall, a mould-infested gymnasium and an old village church. During the days and weeks following the accident at the Chernobyl nuclear power plant on April 26th, 1986, the local population were evacuated by Soviet military, and they had to leave behind all their belongings. The former homes, meeting places and recreation centres were declared contaminated territory – in fact, they will remain uninhabitable for thousands of years.

Two decades after the disaster, Jacob Kirkegaard visited the exclusion area with his recording equipment. His approach was inspired by Alvin Lucier's work “I am sitting in a room” [1970]. While sitting in a room, Lucier recorded his own voice reciting a text which he then played back in the room. He repeated this process over and over again until the different layers of his voice began to merge into a constant drone. Kirkegaard didn’t record his own voice but the voice of the room itself. He put up a microphone and a speaker, started the recording and left. After ten minutes, he returned, stopped the recording and played it back into the same space. With each new layer, the subtle sounds of the room were enlarged and deepened until they finally turned into one humming sound with many overtones.

For the visual representation of the four rooms, Kirkegaard explored a variety of techniques, working with layers, overexposure and video feedback, that can be understood as analogous to his acoustical method.

Duration 50 min. Jacob Kirkegaard © 2006
All sound and video was recorded in the exclusion area around the former nuclear power plant in Chernobyl, Ukraine, in October 2005

Thanks to Sarah Kirkegaard, Stine Hebert, Ania Pilarska, Touch, Anthony Moore, Siegfried Zielinski, David Larcher, “Verein der Freunde der Kunsthochschule für Medien Koeln” and the Academy of Media Arts Cologne, Germany

AION is dedicated to Rimma Kiselitsa (in memoriam)