"Last year, the danish electronic abstactionist Jacob Kirkegaard collaborated
with avant turntabilist Philip Jeck on the well recieved Soaked album,
bringing complementary battery of digitised tricks to Jeck´s requiems
for antique technologies. Kirkegaard´s solo album 01.02 continues
down the same path, purposefully merging textural loops from beat-up vinyl
with more cleanly concieved rounds of disintegrating electronica. Whereas
Soaked seemed like a distinct departure for Jeck, the differences between
the two artists are less clearly defined when comparing their solo works. The sad melodic fragments culled from archetypical but unidentifiable
motifs, the rendering of an abstract emotionally resonant space through
slow motion repetitions, and the swells of vinyl crackle - all of which
are typical of Jeck´s aesthetic - are the key components of 01.02.
These similarities in the compositional and conceptual strategies for
Jeck and Kirkegaard actually serve the artists well as Proustian meditations
on the void between sound and memory" The Wire review April 2003